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Villa Capra “La Rotonda” : Andrea Palladio : Veneto, Italy

Contributed by Jake Strosnider

Villa Capra “La Rotonda”: Vicenza, Italy

Contributed by Jake Strosnider

Photograph of Villa Capra. Wide view of the buildings facade; shot from the front, left angle.
Sitting under the shade in front of Villa Capra detta La Rotonda by Mark Betson Licensed by CC BY-SA 3.0

Principles & Elements

The Villa Capra in Vicenza, Italy was created with many design principles and elements in mind. We can see many similarities to the Pantheon in its exterior design. Line, Form, and Shape are all used in the facade of the building to create a neoclassical ideal. The columns surrounding the front entranceway create line and form. The vertical nature of the columns makes the building feel grand and dominant. We can also see form in the figural statues that are scattered along the perimeter of the roof of the building.

Front view of Staircase that leads to the entrance of Villa Capra "La Rotonda".
“Villa Almerico Capra ‘La Rotonda’ – Vicenza” by westher is licensed under CC BY 2.0.

Connections

In the photo above, we can see how Palladio used connections in the design of the building. A majority of the building’s exterior walls and finishes are made of limestone or other types of stone. The way these materials are connected is very seamless, giving the illusion that they are one.

Photograph from low angle of Villa Capra's roof details. Shot from the left side.
“Villa Capra La Rotonda” by KLMircea is licensed under CC BY-SA 2.0.

Materials

When examining the materials used in this building, we can see many similarities to the Pantheon in Rome. Limestone is the primary material of the exterior. This material is not only an extremely durable material, but it also is a local material. This made it much easier for the construction of the Villa Capra to be completed.

Front view of Villa Capra front right side.
“Villa Capra La Rotonda” by KLMircea is licensed under CC BY-SA 2.0.

Experience

Living in this Villa would be a very extravagant experience. The villa was designed for a priest retiring. The building is far away from the local city, making it hard for its occupants to access local resources and businesses. This was remedied by the large plot of land it was built on, which was used a farm for a variety of vegetables and plants. The building also has many tall interior spaces, this vertical scale would give the impression that the villa is grand and dominant.

Photograph of side walkway and arches of the Villa Capra.
Villa Almerico Capra (La Rotonda) by WikiSteVi is Licensed under CC BY-SA 4.0

Theories

When thinking about possible theories for this building, one is a Neoclassical design. The Villa Capra’s design was visually inspired by the Pantheon in Rome. We can see this throughout the building’s facade and exterior finishes. The columns at the front of the building and the large center dome are both reminiscent of the Pantheon. We can also see the neoclassical design in the scale of the space. The entire building is very large, even being built on a tall hill. The size and location of the building combined make for a very large scale. The Villa Capra also has a symmetrical floor plan. This is a very common neoclassical design element.

Interior photgraph of La Rotonda. Renaissance paintings and figures on walls o circular room.
Vicenza, La Rotonda, interno by Palickap is licensed by CC BY-SA 4.0

Technologies

The Villa Capra does not have many modern technologies that we are accustomed to today, however, the technologies implemented in its design were very impressive. The villa was built on no foundation. The structure and longevity of the building can be credited to the arches and brick that keep the building’s framework supported.

 

Photograph of La Rotonda ceiling, renaissance style murals.
“Villa Almerico Capra (La Rotonda) 3” by WikiSteVi is licensed under CC BY-SA 4.0.

Light and Color

Looking at this space’s interior, we can see that light and color play a very big role in the experience. Murals and paintings adorn many of the walls and ceiling surfaces, creating many different depths of color and light on their own. We can also see in the image above that there is natural light coming from the center of the dome ceiling. This small window serves as a way to bring light in the space for functionality, but also aesthetics.

wide angle view of La Rotonda from right side
“La Rotonda” by Philip Schäfer is licensed under CC BY-SA 3.0.

Finishes

The Villa Capras interior is comprised of mostly wood, stone, and molded finishes. The wood floors and molded ceilings are very reminiscent of a church from the same period. Many of the interior spaces have the same effect. The murals and artwork even have many Christian connotations. The wood in the interior was also locally sourced.

Photograph of murals on ceiling of La Rotonda
Vicenza, La Rotonda, interno by Palickap is licensed by CC BY-SA 4,0

Furnishings

Many of the furnishings in the Villa Capra “La Rotonda” were simple and mundane pieces. Mostly made of wood, the furniture was a rather typical scale. The contrast between the extravagant scale of the building and the simple furnishings within it may be a direct reflection of the patron’s lifestyle. We can also see other common furnishings such as a fireplace and small wooden benches throughout the villa. These are typically found in many homes.

Photograph of fireplace in bedroom of Villa Capra
“File:Rotonda mantle02.jpg” by Dogears is licensed under CC BY-SA 3.0.

Telling Stories

The Villa Capra tells the story of Palladio’s design practices and the expanding developments of the Italian Renaissance. The Villa Capra “La Rotonda” showcases the technologies that pioneered the Italian Renaissance. Being one of Palladios most famous works, we can see how his design philosophies impacted the design world for centuries.

License

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To the extent possible under law, the authors has waived all copyright and related or neighboring rights to Villa Capra "La Rotonda" : Andrea Palladio : Veneto, Italy, except where otherwise noted.